Find something to watch for every mood. Browse 4,480 of the best films ever made — voted on by the world's critics in the Sight & Sound poll — each with a trailer and up-to-date streaming options. Filter by genre, decade, country, language, runtime, or director, or explore our hand-curated film collections.
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Unemployed Antonio is elated when he finally finds work hanging posters around war-torn Rome. However on his first day, his bicycle—essential to his work—gets stolen. His job is doomed unless he can find the thief. With the help of his son, Antonio combs the city, becoming desperate for justice.
Journey to Italy (1954)
Roberto Rossellini · 43 critic votes
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Married for eight years with no children, Brits Katherine and Alex Joyce are driving to Italy, their ultimate destination just outside of Naples to sell the villa they have just inherited from his uncle, the villa where they will be staying during their time there. On the drive, they come to the realization that this trip marks the first time that they have truly been alone together, and as such don't really know one another in the true sense.
La Strada (1954)
Federico Fellini · 26 critic votes
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When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.
Europe '51 (1952)
Roberto Rossellini · 17 critic votes
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A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.
Rome, Open City (1945)
Roberto Rossellini · 16 critic votes
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During the Nazi occupation of 1944 Rome, Resistance leader Giorgio Manfredi is pursued by the Nazis as he seeks refuge and a means of escape.
Nights of Cabiria (1957)
Federico Fellini · 15 critic votes
Streaming on Darkroom
Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.
Germany, Year Zero (1948)
Roberto Rossellini · 12 critic votes
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In the ruins of post-WWII Berlin, a twelve-year-old boy is left to his own devices in order to help provide for his family.
Umberto D. (1952)
Vittorio De Sica · 11 critic votes
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When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.
Stromboli (1950)
Roberto Rossellini · 10 critic votes
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After the end of WWII, a young Lithuanian woman and a young Italian man from Stromboli impulsively marry, but married life on the island is more demanding than she can accept.
The Flowers of St. Francis (1950)
Roberto Rossellini · 9 critic votes
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In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People’s Saint: humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis’s time, and cast with monks from the Nocera Inferiore Monastery, The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.
Miracle in Milan (1951)
Vittorio De Sica · 8 critic votes
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Once upon a time a wise and kind old woman discovers a baby in her cabbage patch. She brings up the child and, when she dies, the boy, Totò, enters an orphanage. Totò leaves the orphanage a happy young man, and looks for work in post-war Milan. He ends up with the homeless and organizes them to build a shanty town in a vacant lot. But when greedy developers threaten the community’s land, Totò will need all the help he can get in order to find an impossible way out.
La Terra Trema (1948)
Luchino Visconti, Francesco Rosi, Franco Zeffirelli · 6 critic votes
In rural Sicily, the fishermen live at the mercy of the greedy wholesalers. One family risks everything to buy their own boat and operate independently.
Ossessione (1943)
Luchino Visconti · 4 critic votes
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Gino, a drifter, begins an affair with inn-owner Giovanna as they plan to get rid of her older husband.
Il Grido (1957)
Michelangelo Antonioni · 4 critic votes
Streaming on Criterion Channel
A sugar-refinery worker flees his Northern Italy town after a woman refuses his marriage proposal.
Shoeshine (1946)
Vittorio De Sica · 2 critic votes
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Two shoeshine boys in postwar Rome, Italy save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison; the experience take a devastating toll on their friendship.
Senso (1954)
Luchino Visconti · 2 critic votes
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A troubled and neurotic Italian Countess betrays her entire country for a self-destructive love affair with an Austrian Lieutenant.
Bitter Rice (1949)
Giuseppe De Santis · 1 critic vote
Streaming on Criterion Channel
Francesca and Walter are two-bit criminals in Northern Italy, and, in an effort to avoid the police, Francesca joins a group of women rice workers. She meets the voluptuous peasant rice worker, Silvana, and the soon-to-be-discharged soldier, Marco. Walter follows her to the rice fields, and the four characters become involved in a complex plot involving robbery, love, and murder.
Bellissima (1951)
Luchino Visconti · 1 critic vote
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Film director Blasetti is looking for a little girl for his new movie. Along with other mothers, Maddelena takes her daughter to Cinecittà, hoping she’ll be selected and become a star. She is ready to sacrifice anything for little Maria.